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“Well Written”: Icon of the Week, Vol. 2 | Our Lord is Brilliantly Transfigured on High

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It's no accident that the first reading for the second Sunday of Lent (Year B) is the testing of Abraham's faith. Genesis chapter 22 begins: "God put Abraham to the test. He called to him, 'Abraham!' 'Here I am!' [Abraham] replied. Then God said: "Take your son Isaac, your only one, whom you love, and go to the land of Moriah. There you shall offer him up as a holocaust on a height that I will point out to you." "When they came to the place of which God had told him, Abraham built an altar there and arranged the wood on it. Then he reached out and took the knife to slaughter his son. But the LORD's messenger called to him from heaven, 'Abraham, Abraham!' 'Here I am!' he answered. 'Do not lay your hand on the boy,' said the messenger. 'Do not do the least thing to him. I know now how devoted you are to God, since you did not withhold from me your own beloved son.' As Abraham looked about, he spied a ram

“Well Written”: Icon of the Week, Vol. 1 | Our Lord Jesus Christ King of the Universe Enthroned

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God, the author of creation, uses physical realities to make present spiritual realities beyond us. In a similar way, iconography, pictures of Divine Persons and saints, are signs, images, or likenesses that embody and make present that which they portray. St. Athanasius of Alexandria championed the practice of writing, displaying and venerating icons by the faithful. He wrote: "We, the faithful, do not worship the icons as gods. By no means as the pagans, rather we are simply expressing our relation to, and the feeling of our love toward, the person whose image is depicted in the icon. Hence, frequently when the image has faded, we burn it in fire, then as plain wood, that which previously was an icon. Just as Jacob, when dying, bowed in worship over the head of the staff of Joseph [cf. Heb. 11:21] not honoring the staff, but him to whom it belonged, in the same manner the faithful, for no other reason, venerate [kiss] the icons, just as we often kiss our children, so that we

Praying to the Saints and Why Icons Look ‘Weird’

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In venerating the saints, remembering the souls of departed loved ones, and praying for those in purgatory, Catholics are often accused of praying to the dead. But the souls in heaven (the Church Triumphant) and those in purgatory (the Church Suffering) are not dead. They are very much live. In fact, they are much closer to the Throne of God than anyone on earth (the Church Militant). By virtue of the Communion of Saints, no Christian is an island, isolated or alone. We are joined together, spiritually united in love, through the Lord Jesus Christ and the divine economy of salvation, one family sustained by God across time. As members of Christ's mystical body, Christians are bound not only to Him, but to each other. Prayers to the saints for their intercession are efficacious for they see God now face to face. Hence, their petitions to Him on our behalf are powerful. Most of all, Christians pray to God: God the Father, God the Holy Spirit and God the Son, our Lord and Savio

Our Lady of Częstochowa (The Black Madonna)

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Feast - August 26th The image of Our Lady of Częstochowa, also known as the Black Madonna, was traditionally believed to have been painted by Saint Luke the Evangelist on a cypress wood panel from a table used by the Holy Family in Nazareth. It was said to have been brought from Jerusalem by Saint Helen and was enshrined in Constantinople for 500 years. It was given to a Greek princess married to a Ruthenian nobleman and it was housed in the royal palace at Belz in the Ukraine for the next 600 years. Art historians believe it is a Byzantine icon of the Hodigitria type dating from the 6th - 9th Century. The image was brought to Poland in 1382 by Ladislaus of Opole who rescued the painting from Belz while escaping an attack by the Tartars who had damaged the painting with an arrow. On his way to Silesia, Ladislaus stopped to rest in the town of Częstochowa near the church on Jasna Góra (Bright Hill). He believed that it was Our Lady’s desire for her image to remain in Częstochow